Awards and citations:


1997: Le Prix du Champagne Lanson Noble Cuvée Award for investigations into Champagne for the Millennium investment scams

2001: Le Prix Champagne Lanson Ivory Award for investdrinks.org

2011: Vindic d'Or MMXI – 'Meilleur blog anti-1855'

2011: Robert M. Parker, Jnr: ‘This blogger...’:

2012: Born Digital Wine Awards: No Pay No Jay – best investigative wine story

2012: International Wine Challenge – Personality of the Year Award




Showing posts with label Waiheke Island. Show all posts
Showing posts with label Waiheke Island. Show all posts

Monday, 26 December 2016

New Zealand memories (part 1)

vinesmow
Man of War Vineyards,  Waiheke Island 
to 
Rippon Vineyard, Central Otago
rippons
In November 2007 the Circle of Wine Writers made two week trip to the vineyards and wineries of New Zealand. Apart from getting ourselves there the trip was very generously sponsored by the New Zealand Winegrowers.
It proved to be an amazing trip starting in Auckland towards the top of North Island and finishing in Otago before a final evening at the Air New Zealand Wine Awards in Christchurch. Unfortunately in terms of reciprocal coverage this trip came a year or two too early before the widespread adoption of blogs, Facebook and Twitter meaning that our visit to New Zealand didn't get the exposure it really deserved. For instance, I didn't launch my Jim's Loire blog for another nine months – end of August 2008.
Time, then, for some pictorial memories. First up – North Island:
kumea-michaelbtimo
Timo Jokinen (CWW) with Milan Brajkovich (Kumea River)
missionHistoric Mission Estate, Hawkes Bay  
established in 1851 
john-buckJohn Buck, Te Mata, Hawkes Bay  
tim-turvey
Tim Turvey, Clearview, Hawkes Bay 
vineyardhawkes-bayA Hawkes Bay vineyard
john-hancockJohn Hancock, Trinity Hill, Hawkes Bay
larry-mckenna-escarpmentvineyard
Martinborough – Larry McKenna's Escarpment Vineyard 
jamilltonbsJames and Annie Millton, Millton Vineyard, Gisborne
New Zealand's Chenin Blanc champion – long-time biodynamic producer

Wednesday, 31 October 2012

New Zealand: a few photos from the 2007 archive



 A glass with a view, Waiheke Island, New Zealand 

Five years ago next month the Circle of Wine Writers ran a very successful and extremely memorable trip to New Zealand looking at vineyards from Auckland down to Central Otago. The trip was generously organised by the New Zealand Winegrowers. Here are a few photos from the archive of that trip. I expect more will follow    

Man O'War Vineyards, Waiheke Island, New Zealand

Waiheke Island: great visitas 

Jouko Mykkänen (Finland) risking all for the art of the photo!

 Waiheke Island with Auckland in the distance (above and below)












Sunday, 13 May 2012

Grape-A-Hol: 'big business subverting artisan winemaking'



Cartoons from book by John Pritchett, Pritchett Cartoons 

With the two natural wine fairs in London next weekend Michael Spatt and Mark Feldman of Destiny Bay Vineyards on Waiheke Island, near Auckland, New Zealand have shown impeccable timing over the launch of their new book – Grape–A-Hol: how big business is subverting artisan winemaking and the future of fine wine

Spratt and Feldman launch broadsides against a number of targets but the central one is big business – large producers, large distributors and large retailers. They dub large brands as Grape-a-hol – 'alcoholic beverage made from fermented grape juice and passed off as a substitute for fine wine. Origin 2012, from grape + ethyl alcohol' and fine artisan wine is defined as:

  
They characterise large corporations as 'stubbornly' adhering to 'low-cost and low-price models that ignore differentiators like quality and distinctiveness that might legitimately deliver price premiums and growth in sales volume. Instead they ride the commodity-product slide until sales drop off and then repackage their product as another market-tested label for another run. Their primary objective is to produce commodity quality consistent with the lowest possible cost.'

Spratt and Feldman recount how they asked a 'well-known winemaker from a medium-sized producer' that had recently been bought by one of the world's largest wine business what had changed after the acquisition:

"Before we were acquired, we were always looking for ways to earn a dollar more for our wines. After the deal was done, everything switched to how could we save ten cents on making the wine."

The authors comment: 'When a larger corporation takes over a smaller winery, short-sighted financial and brand management is quickly applied and devolves to the lowest common denominator. Decades of work building a quality artisan brand can be undermined in a matter of months."

    
 "...and unfortunately we have to pay SOMETHING for the actual wine."

They attack the move to ship an increasing amount of New Zealand Sauvignon Blanc in bulk. They show that wine is the best option compared to beer or ready to drink beverages if you are looking to get drunk cheaply:

'..if you are a cost conscious young drinker, and you don't want to spend half the night in line for the toilet, Grape-a-hol is your best bet by a margin of more than 2 to 1 on both price and surplus fluid disposal requirements.'

They castigate Governments, who tax alcohol excessively, for benefitting from high levels of consumption as well as the drinks industry's meaningless 'responsible drinking initiatives' when it is the industry's fault that drink is so cheap. Instead they advocate minimum pricing of alcoholic beverages.  

Other targets include wine competitions, biodynamics and wine writers, who recommend grape-a-hol products. They do, however, believe that social media and on-line blogs can be a force for helping to save artisan wine production. 

'Fortunately, information sharing is being reinvented and democratized via online blogs and social media. The ability of beverage conglomerates to control the narrative through marketing muscle and advertising dollars is diminishing. Social media and word-of-mouth are fast becoming the dominant currency of message credibility.' In conclusion they recommend the Waiheke Certified Wine program as a way of protecting artisan wine production. There are three main criteria if a wine is to be labelled 'Waiheke': 'it must be made with 100% Waiheke Island-grown fruit, be part of a certified sustainable grape-growing program, and have been independently verified as free from standard wine faults'.  

This is certainly a recommended and thought provoking read. Good to have a polemic with the natural/authentic/artisan wine fairs coming up plus the London International Wine Trade Fair.


Grape-A-Hol is published by dog ear publishing: Print version £10.26 from Amazon or £5.06 downloaded for Kindle. 


 
Vineyards on Waiheke Island


Selected from the press release:
With the publication of this book, the authors, Destiny Bay Vineyards’ founder Michael F. Spratt and Destiny Bay Wine Imports owner, Mark L. Feldman, have raised issues and exposed practices that many in the industry would prefer remain buried and out of public view. 



“Some within the large wine companies will not be happy with this book,” said Spratt. “But we feel it is long past time to expose the questionable practices and regulatory myopia that are subverting artisan wine making, altering consumer tastes, and sabotaging the future of fine wine.”


Nearly 30 billion liters of wine are produced every year. But how much is truly fine wine? “Vastly less than what is claimed to be,” said Spratt. “Coining the term ‘Grape-a-hol’ and defining it as an alcoholic beverage made from fermented grape juice and passed off as a substitute for fine wine was the starting point for our argument about how the line between fine wine and bulk wine has become dangerously blurred.”

“Grape variety, vintage, place of origin, and sorting fruit for quality are largely irrelevant when pushing millions of cases of wine into a mass market,” stated Feldman. “Instead, labels, advertising hype, marketing promotions, shelf space, relative pricing, volume and manipulation of the distribution system are paramount. Wine industry economics are being altered and a 6,000-year-old craft is being undermined. “